Showing posts with label snapshot. Show all posts
Showing posts with label snapshot. Show all posts

12.16.2010

Nan Goldin

1.Sharon nursing Cookie on her bed, Provincetown, Massachusetts, USA, 1989.
Like Cookie, Sharon was for many years a familiar subject in Goldin's photography. Her masculine beauty often made a perfect counterbalance to Cookie's exuberant and extremely feminine sensuality. This photograph, from the Cookie portfolio, catches these ex-lovers at a tragic time, marked by the progress of the illness that in a matter of months would cut short Cookie's life. It was Sharon who would nurse Cookie through the months when she could no longer even speak, even though the photograph on the wall testifies to Cookie's marriage to a man, after eight years as Sharon's lover.
2. Variety Booth, New York City, 1983.
3. Smoky car, New Hampshire, USA, 1979.
Inconsequential daily events, situations with no particular story behind them and the anonymity of repeated gestures (like smoking a cigarette or drinking a beer) ofter catch Goldin's eye. This shot turns on the contrasts between light and shade, interior and exterior. It shows a moment suspended in time and captures, as many of her images do, a sense of solitude and estrangement, even within a pleasure-filled situation.

12.15.2010

synthetic family

Nan Goldin. Picnic on the Esplande, Boston, USA, 1973.
This photograph, among the first Goldin made in colour, shows many of the features that made her one of the first and foremost exponents of the snapshot aesthetic. This Easter picnic by the river in Boston shows Goldin's 'family' at the time, one of the happiest periods in her life. She was living with a group of drag queens, her heroines, and had already amassed a huge body of black-and-white photographs of them. It shows her lifelong obession with social rituals an the pleasures of communal life. Over time she would lose many people in this group to AIDS and drug addiction.

Excerpt from the seriously wonderful Nan Goldin book Lindsay got me, thanks Lindsay, I think you're the best.